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Issue 40: Missouri

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NOTE: Issue 40: Missouri will ship beginning October 20.

Missouri doesn’t fit neatly into a single pattern. Ask where the Midwest ends and the South begins, and you’ll likely get a different answer, depending on who you ask. Listen closely, and you’ll hear “Missour-ee” from one neighbor and “Missour-uh” from the next. Follow the Missouri or Mississippi Rivers, and you’ll discover towns shaped by commerce, migration, and generations of shared stories. Wander into the Ozarks, and the landscape suddenly folds into forested ridges, clear springs, and thousands of caves carved patiently by water over countless years.

Perhaps that’s why Missouri became known as The Gateway to the West. For generations, people arrived here carrying traditions of their own, leaving with new ones, and building communities that honored both.

During our travels, we found that same spirit reflected in the people. Whether in the neighborhoods of St. Louis and Kansas City or in small towns where everyone knows one another by name, there is an unmistakable practicality paired with remarkable generosity. It’s the kind of place where conversations begin easily, neighbors lend a hand without hesitation, and communities quietly rally around one another when life becomes difficult.

Quilting feels especially at home here. A quilt doesn’t ask its fabrics to match before stitching them together. Different colors, different textures, different histories—each piece contributes something the others cannot. Missouri feels much the same. Its stories are stitched from rural traditions and urban creativity, immigrant histories and family legacies, quiet craftsmanship and bold innovation. Individually, they are compelling. Together, they create something uniquely Missouri.

As you turn these pages, we hope you’ll discover not just a place, but the people who continue to shape it—one stitch, one story, and one community at a time.

Writers: Rebecca Bratburd, Meg Cox, Frances O’Roark Dowell, Courtney Mabeus-Brown, Christopher Michel, Diane L. Murtha, Sharbreon Plummer, and Teresa Duryea Wong

Photographer: Azuree Holloway 

Photo Stylist: Trevor Holloway

Guest Photographers: Kori Arnold, Tarren Bailey, Lindsay Oney, and Craig Schneider

Previews From Issue 40

Angela Walters

For Angela Walters, better quilting starts with quieting the voice that demands perfection. With humor, honesty, and plenty of stitches, she’s helping quilters loosen up and enjoy the ride.

City Sewing Rooms and Makers

In St. Louis, donated fabric gets a second chance—and so do plenty of creative ideas. Step inside a sewing space built around making, sharing, and community.

Cuesta Benberry

Long before many were paying attention, Cuesta Benberry was documenting the stories of American quilts and the people who made them. Her work helped change the way quilt history is understood today.

Hannah Harper

When Hannah Harper stepped onto the American Idol stage, quilters may have noticed something familiar in her wardrobe. Meet the Missouri singer bringing a little patchwork along for the ride.

Jenifer McShane

What happens when a filmmaker enters a prison sewing room with a camera? Jenifer McShane takes us behind the scenes of The Quilters and the story that unfolded there.

Leila Gardunia

A sketch made in a church pew sent Leila Gardunia down an unexpected creative path. Turns out, triangles can lead just about anywhere.

Lisa Yamanaka

A trip to Japan revealed something unexpected about Lisa Yamanaka’s family history. It also gave her a new way to think about the quilts she makes today.

Missouri Quilt Museum

Dakota Redford came to Hamilton to run a bed and breakfast. She ended up surrounded by 1,300 quilts—and more stories than she ever imagined.

Missouri Star

You know the company. You know the name. But behind one of quilting’s brightest stars is a family, a small Missouri town, and a story still being written.

Norma Silk

After nearly five decades in nursing, Norma Silk turned her attention toward another calling. Now, she’s using quilts to explore heritage, history, and identity.

Paulette Sankofa

Paulette Sankofa is in what she calls her “legacy stage”—and she knows exactly which stories she wants to tell. At 75, she’s making sure they aren’t forgotten.

Tammy Reid

There are around 120 quilts in Tammy Reid’s collection—and plenty of stories tucked among them. Spend an afternoon with the woman her 14 grandchildren simply call “Sparkle.”

Teajuana Mahone

Anyone who names a quilt A Woman Needs a Man Like a Fish Needs a Bicycle…Or Does It? probably has a few stories to tell. Meet Teajuana Mahone.

Wess Diehl and the Sew Bros

A funeral director, a sewing machine, and a group called the Sew Bros—Wess Diehl’s path to quilting wasn’t exactly predictable.

Look for the following articles on the Quiltfolk Journal! 

Angee Turner

A box of scraps and a grandmother’s quilt got Angee Turner started. Breaking the rules helped her find her voice.

Available in the Journal in October!

Big Muddy Banner Quilt

Missouri has four seasons—or does it? Six Boonville quilters make a colorful case for a couple more.

Available in the Journal in October!

Brandi Webb

Bright colors, quirky prints, and a happy accident at a quilt retreat helped Brandi Webb stumble into something distinctly her own.

Available in the Journal in October!

Diane Rose

Diane Rose has made roughly 2,000 quilts without ever seeing one of them. For more than 25 years, she’s found her own way to put imagination into stitches.

Available in the Journal in October!

Michelle Vincent

There’s a lot happening inside Michelle Vincent’s Springfield studio—and not all of it is about quilting. For this family, sewing together is only part of the story.

Available in the Journal in October!

Natural Life x Hannah Harper

Patchwork keeps popping up in Hannah Harper’s world—in some rather unexpected places. A shared love of color helped take it somewhere much bigger.

Available in the Journal in October!

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