Regina Jestrow
A Landmark Exhibition
Presented by Fiber Art Now, Quiltfolk, and SAQA
On display at the International Quilt Museum in 2028
Accepting Submissions: July 1 - September 30, 2026
From traditional bed quilts to three-dimensional mixed-media works, CONTINUUM will celebrate the infinite ways artists and makers use fiber and fiber-adjacent materials to tell stories and create visionary art. This exhibition will not be a single aesthetic, region, or lineage but the entire spectrum of quiltmaking. From heritage techniques to experimental materials, from functional to conceptual, from hand-sewn to digitally engineered, we want to see it all. The exhibition will be juried by our panel of jurors—Jacob Hashimoto, Kenny Nguyen, and Victoria Findlay Wolfe—and will be featured in an online exhibition hosted by SAQA. Selected artwork will be eligible for an on-site exhibition at the International Quilt Museum in 2028.
About the Jurors
Victoria Findlay Wolfe
Victoria Findlay Wolfe is a quiltmaker whose training as a painter has given her a unique view on quilting, leading to work that breaks down traditional quilting shapes in order to investigate principles such as scale, line, shape, color, repetition, and movement. In blending quilting from the past with contemporary design sensibilities, her work takes on a unique identity of tradition made modern.
Kenny Nguyen
Kenny Nguyen explores the concept of cultural identity, integration, and displacement through his art. Using silk, a culturally rich material, he creates layered, sculptural works influenced by his Vietnamese heritage and his background in fashion design. His process involves deconstructing and recreating, a metaphorical expression of his own transformation.
Jacob Hashimoto
Jacob Hashimoto uses sculpture, painting, and installation to create complex worlds from a range of modular components: bamboo-and-paper kites, model boats, even astroturf-covered blocks. His accretive, layered compositions reference video games, virtual environments, and cosmology, while also remaining deeply rooted in art historical traditions—notably, landscape-based abstraction, modernism, and handcraft.